"Christopher Grills’s inventive and playful continuo bridged the gap between pit and stage, allowing the harpsichord to become nearly an extra on the set through tasteful improvisations that mirrored the characters’ moods."

- The Boston Music Intelligencer

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"[Grills] has a deep and soulful musical interpretation, true clavichord playing without influences of other instruments."

- Boston Clavichord Society Tangents

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"Grills...wants to start a mild music revolution."

- The Joplin Globe

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